Academic Publications
Antosik-Parsons, Kate, ‘Say Nope to the Pope: Performance and Resistance in the Creative Interventions During the 2018 Papal Visit to Ireland.’ Irish Studies Review, May 2024, DOI: 10.1080/09670882.2024.2335675
Conlon, Catherine, Antosik-Parsons, Kate and Butler, Éadaoin, ‘Experiences of the Irish Model of First Trimester Abortion Care: Features of Self-Management in Community Medical Abortion Model.” Irish Political Studies, Special Issue: Abortion Politics in Ireland, July 2024, DOI: https://doi.org/10.1080/07907184.2024.2369335
Flynn, Susan, Caffrey, Louise, Antosik-Parsons, Kate, Whiting, Sinead Whiting, Byrne, Julie Byrne and Conlon, Catherine. “ New-materialist bricolage: presenting an ontological position for qualitative internet-based research”, International Journal of Social Research Methodology, DOI: 10.1080/13645579.2024.2329430
Antosik-Parsons, Kate, "Aftereffects and Resonances: The Embodied Histories of Performance Art in Ireland in the 1990s," L’INTERNATIONALE – Stories and Threads: Perspectives on Art Archives, editors Sara Buraya Boned, Jennifer Fitzgibbon, Sezin Romi, 2022 ISBN 978-91-527-1342-6, e-book: https://d2tv32fgpo1xal.cloudfront.net/files/archives_ebook_2pagesok.pdf
Conlon, Catherine, Antosik-Parsons, Kate and Butler, Éadaoin, Unplanned Pregnancy and Abortion Care Study, Sexual Health and Crisis Pregnancy Programme, Health Service Executive, 2022.
Antosik-Parsons, Kate, Kearns, Gerry, Callan, Jack, Till, Karen E. and McDonald, Niamh, "Leading Change: Reproductive Rights, Empowerment and Feminist Solidarity in the Dublin Bay North Repeal the 8th Campaign " Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 6.1, https://doi.org/10.20897/femenc/11750
Greene, Jo, Butler, Éadaoin, Conlon, Catherine, Antosik-Parsons, Kate and Gomperts, Rebecca, ‘Seeking Online Telemedicine Abortion Outside the Jurisdiction from Ireland During First Two Years Following Legalisation of Abortion’, British Medical Journal: Sexual and Reproductive Health, October 2021. DOI: 10.1136/bmjsrh-2021-201205
Antosik-Parsons, Kate, 'Touch in Irish Performance Art: Haptic Encounters in Becoming Beloved (1995) and The Touching Contract (2016),' Scene (8/2020). https://doi.org/10.1386/scene_00030_1
Antosik-Parsons, Kate, 'Women’s Troubles: Abject Femininity in Willie Doherty’s Same Difference and Closure' Etudes Irlandaises, 45-1, 2020. https://journals.openedition.org/etudesirlandaises/8891
Antosik-Parsons, Kate, 'Visualising the Spirit of Freedom: Irish women’s citizenship and autonomy in Amanda Coogan’s Floats in the Aether' Review of Irish Studies in Europe, Vol 3, No 2, March 2020. http://www.imageandnarrative.be/index.php/rise/article/view/2410
McDonald, Niamh, Antosik-Parsons, Kate, Till, Karen E., Kearns, Gerry and Callan, Jack, ‘Campaigning for Choice: Canvassing as Feminist Pedagogy in Dublin Bay North’ After the 8th: Rethinking Abortion Politics, eds. Kath Browne and Sydney Calkin, London: Zed Books, 2020.
Antosik-Parsons, Kate, ‘A Body is a Body: The embodied politics of women’s sexual and reproductive politics in Irish art and culture’, Reproductive Justice and Sexual Rights: Transnational Perspectives ed. Tanya Bahkru, New York: Routledge, 2019. https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/KAP%20Embodied%20Politics%20Irish%20art%20and%20culture.pdf?ver=1643326738033
Antosik-Parsons, Kate, 'Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (2017)', The Polish Journal of Aesthetics, Special Issue: The Affective Aesthetics of The Body in Pain, No. 51 (4/2018). https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/newpja-51-4-antosik.pdf?ver=1563451727500
Antosik-Parsons, Kate, ‘The Visibility of Women’s Ageing and Agency in Suzanne Lacy’s The Crystal Quilt (1987) and Silver Action (2013)’, Ageing Women in Literature and Visual Culture: Reflections, Refractions and Reimaginings, eds. Margaret O’Neill, Michaela Schrage-Frueh, CathyMcGlynn, London: Palgrave Macmillan, 2017.
Antosik-Parsons, Kate, ‘‘The Development of Irish Feminist Performance Art in the 1980s and the early 1990s’ The History of Performance Art in Ireland, Ed. Aine Phillips, London: Live Art Development Agency and Reaktion Books, 2015. https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/The_Development_of_Irish_Feminist_Perfor.pdf?ver=1634720942036
Antosik-Parsons, Kate, ‘Pauline Cummins’, ‘Willie Doherty’, ‘Louise Walsh’, Volume III: Sculptors and Sculpture, 1600-2000, Art and Architecture of Ireland, Royal Irish Academy and Yale University Press, 2014.
Antosik-Parsons, Kate, ‘Mobility, Migrancy and Memory: Visualizing Belonging and Displacement in Jaki Irvine’s The Silver Bridge (2003)’, Heritage, Diaspora and the Consumption of Culture: Movements in Irish Landscapes, Eds. Rebecca Boyd and Diane Sabenacio Nititham. London: Ashgate, 2014.
Antosik-Parsons, Kate, ‘Caoineadh na mairbh: Vocalising Memory and Otherness in the Early Performances of Alanna O’Kelly’, Nordic Irish Studies Journal, Special Issue: Cultural Memory and the Remediation of Narratives of Irishness, 2014.
Antosik-Parsons, Kate, ‘Suppressed Voices: The Suffering and Silencing of Irish Institutions Abuse Survivors in Áine Phillips’s Redress Performances’, Etudes Irlandaises, 2014. https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/KAP%20Suppressed%20Voices%20Aine%20Phillips.pdf?ver=1563451727500
Antosik-Parsons, Kate, ‘Masculinity in Crisis: The Construction of Irish Masculinities in Willie Doherty’s Non Specific Threat’, Irish Masculinities: Critical Reflections on Literature and Culture, Eds. Caroline Magennis and Raymond Mullen, Dublin: Irish Academic Press, 2011.
Antosik-Parsons, Kate, ‘Bodily Remembrances: The Performance of Memory in Recent Works by Amanda Coogan’, Artefact: The Journal of the Irish Association of Art Historians, Issue 3, 2010. https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/Bodily_Remembrances_The_Performance_of.pdf?ver=1563451727500