Writings

Art Writing/ Reviews

Antosik-Parsons, Kate, 'Book Review: Asylum Archive' Irish Studies Review, September 2019. 


Antosik-Parsons, Kate, 'The Launch of The Mothership Project Satellite Findings (May 16, 2019, The Lab, Dublin)' July 2019, https://themothershipproject.wordpress.com/2019/07/07/the-launch-of-the-mothership-project-satellite-findings-may-16-2019-the-lab-dublin/


Antosik-Parsons, Kate, ‘DIT Degree Show Review,’ Writer’s Choice, CIRCA Art Magazine, July 2018. 


Antosik-Parsons, Kate, 'EL Putnam and David Stalling, Ember at The Complex', This Matters Now, Circa Art Magazine, March 2018. 


Antosik- Parsons, Kate, "Fertile Ground: Maternal Entanglements in the work of EL Putnam (excerpts)" December 2017, in:Action Irish Live Art Review.


Antosik-Parsons, Kate, 'Fleeting Breath: Martin O'Brien at Dublin Live Art Festival August 2017, in:Action Irish Live Art Review.


Antosik-Parsons, Kate, ‘Review: Fionna Barber’s Art in Ireland Since 1910’, Artefact: The Journal of the Irish Association of Art Historians, Issue 6, 2013. https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/Review_Fionna_Barber_s_Art_in_Ireland_S.doc?ver=1563451727500


Antosik-Parsons, Kate, ‘Review: Dublin Contemporary’, Artefact: The Journal of the Irish Association of Art Historians, Issue 5, 2012.


Academic Publications

Antosik-Parsons, Kate, ‘A Body is a Body: The embodied politics of women’s sexual and reproductive politics in Irish art and culture’, Reproductive Justice and Sexual Rights: Transnational Perspectives ed. Tanya Bahkru, New York: Routledge, 2019.   


McDonald, Niamh, Kate Antosik-Parsons, Karen E. Till, Gerry Kearns and Jack Callan, ‘Campaigning for Choice: Canvassing as Feminist Pedagogy in Dublin Bay North’ After the 8th: Implications and Futures, eds. Kath Browne and Sydney Calkin, London: Zed Books, (Forthcoming 2019).


Antosik-Parsons, Kate, 'Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (2017)', The Polish Journal of Aesthetics, Special Issue: The Affective Aesthetics of The Body in Pain, No. 51 (4/2018). 

https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/newpja-51-4-antosik.pdf?ver=1563451727500


Antosik-Parsons, Kate, ‘The Visibility of Women’s Ageing and Agency in Suzanne Lacy’s The Crystal Quilt (1987) and Silver Action (2013)’, Ageing Women in Literature and Visual Culture: Reflections, Refractions and Reimaginings, eds. Margaret O’Neill, Michaela Schrage-Frueh, CathyMcGlynn, London: Palgrave Macmillan, 2017.   


Antosik-Parsons, Kate, ‘‘The Development of Irish Feminist Performance Art in the 1980s and the early 1990s’ The History of Performance Art in Ireland, Ed. Aine Phillips, London: Live Art Development Agency and Reaktion Books, 2015.


Antosik-Parsons, Kate, ‘Pauline Cummins’, ‘Willie Doherty’, ‘Louise Walsh’, Volume III: Sculptors and Sculpture, 1600-2000, Art and Architecture of Ireland, Royal Irish Academy and Yale University Press, 2014. 

https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/Biographical_Entry_Pauline_Cummins_Art_a.pdf?ver=1563451727500


https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/Biographical_Entry_Louise_Walsh_Art_and.pdf?ver=1563451727500


Antosik-Parsons, Kate, ‘Noah’s Ark by Elizabeth Rivers’, Eire-Ireland, 47, 3 & 4 Fall/Winter 2012.


Antosik-Parsons, Kate, ‘Mobility, Migrancy and Memory: Visualizing Belonging and Displacement in Jaki Irvine’s The Silver Bridge (2003)’, Heritage, Diaspora and the Consumption of Culture: Movements in Irish Landscapes, Eds. Rebecca Boyd and Diane Sabenacio Nititham. London: Ashgate, 2014.


Antosik-Parsons, Kate, ‘Caoineadh na mairbh: Vocalising Memory and Otherness in the Early Performances of Alanna O’Kelly’, Nordic Irish Studies Journal, Special Issue: Cultural Memory and the Remediation of Narratives of Irishness, 2014.

https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/KAP%20Vocalising%20Memory%20and%20Otherness%20Alanna%20O_K.pdf?ver=1563451727500


Antosik-Parsons, Kate, ‘Suppressed Voices: The Suffering and Silencing of Irish Institutions Abuse Survivors in Áine Phillips’s Redress Performances’, Etudes Irlandaises, 2014. 

https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/KAP%20Suppressed%20Voices%20Aine%20Phillips.pdf?ver=1563451727500


 Antosik-Parsons, Kate, ‘Masculinity in Crisis: The Construction of Irish Masculinities in Willie Doherty’s Non Specific Threat’, Irish Masculinities: Critical Reflections on Literature and Culture, Eds. Caroline Magennis and Raymond Mullen, Dublin: Irish Academic Press, 2011.


Antosik-Parsons, Kate, ‘Bodily Remembrances: The Performance of Memory in Recent Works by Amanda Coogan’, Artefact: The Journal of the Irish Association of Art Historians, Issue 3, 2010. https://img1.wsimg.com/blobby/go/d28f2596-da16-4231-9aae-42000b2dd5d8/downloads/Bodily_Remembrances_The_Performance_of.pdf?ver=1563451727500

Creative Publications

Antosik-Parsons, Kate, ‘My Motherly Stigmata’, ‘Time’, ‘I will mark this moment’, ‘On the experience of live art’, New Anthology of Migrant Writers in Ireland, Ed. Theophilus Ejorh, Drogheda: Choice Publishing Company, 2012.


Antosik-Parsons, Kate, ‘Burden’, ‘Muse I’, ‘Revenge of Clytaemnestra’ Multimedia Visual Images, Intersections: Women’s and Gender Studies in Review Across Disciplines, Journal of University of Texas, Issue 5 “(The) future (of) feminisms”, 2007, 61-63. http://www.intersectionsjournal.com/issues.html